Most fragrances are judged on a paper strip in the first thirty seconds. We compose for the opposite moment: the eighth hour, when the top notes are long gone and what is left is the base on warm skin.
That is why Orée opens quietly. The bergamot is there to introduce the amber, not to compete with it. By the afternoon the scent has become yours; by evening it is a trace in a scarf.
A signature is not what enters a room. It is what remains after you leave.